Myanmar has been in seclusion from the world. It is one of the world's least Western-influenced countries, and that's what makes it so photographically attractive. The repression that isolated it is slowly lifting. By dealing with private individuals, rather than government institutions, we try to directly benefit the people who suffered under repression.
We begin in Yangona city of visual feasts and delights, exotic sights and soundswith the unusual octagonal Sule Pagoda and the waterfront Botataung Pagoda. Of course we'll visit and photograph the famed 2500-year-old Shwedegon Pagoda; its golden stupa is the spiritual center of the country. We'll photograph in authentic Chinatown, India town, and the night markets.
To save time and increase photographic opportunities, we'll flyinstead of taking the slow boat to Chinato one of the true wonders of Asia, Bagan (formerly Pagan). Bagan looks like a vast deserted city of temples and giant pagodas on the banks of the Ayeryarwady River, but it is actually a photographer's treasure chest of images. The feeling of the area and wealth of images it provides are indescribable. Too soon this heritage site will be restricted like Stonehenge: there to see and admire, but almost impossible to photograph. Right now, we have the opportunity not only to go in but also to go on many of these fantastic monuments. Names of pagodas like Sulemani, Ananada, and Shweizagon will resonate with you for years. This is truly one place where you can't have too much film or too many discs.
We won't forget to tour the former capital of Mandalay; in fact, it will be our base for a few days. Here carved wooden monasteries seem to be adorned by red-robed novice monks. Every morning, monks and nuns in long lines take to the street seeking their daily alms. From Mandalay we'll boat up the Ayeryarwady River past all types of boats and fishing villages to Mingun, home of pink-robed, cigar-smoking nuns and more extraordinary monuments. We'll also visit the ancient capital that preceded even Mandalay and some of its glorious "antique" monasteries. When we leave Mandalayagain to save timewe'll fly. Now we will be going to the remote eastern Shan plateau to photograph at the extraordinary 22-kilometer-long Inle Lake, where whole villages are constructed on stilts and fishermen row their boats with one leg while standing up. While on the Shan plateau, we may photograph 2000-year-old pagodas and stupas in the ruins of Kak Ku and even stay at an English hilltown where caves are filled with thousands of Buddha images.
Joe Englander strongly suggests reading The Glass Palace by Amitav Ghosh and The Piano Tuner by Daniel Mason to get a sense of place and culture.
This page requires frames for proper display. If your browser does not support frames, please see our text-only site for complete information about this workshop or tour.
If your browser does support frames and you reached this page directly through a search, it will look much nicer on the frames page.